Thursday, September 20, 2012

Cat Power, SUN, September 5th 2012

I didn't have high expectations for a new Cat Power album. Not even when I read NPR's review, touting it as her best album to date. It's no surprise to me that the NPR reviewer doesn't deeply love her early albums such as Myra Lee and What Would the Community Think? That kind of young female angst is not something that everyone understands, and especially if they don't have an appreciation for dark music.

There is so much raw, creative talent in Cat Power's earlier albums, words can hardly describe it. None of her albums since have come close to making an impact on me the way that those first ones did. Her sound has become increasingly happier, which is nice because we have grown out of our angst together. However, the creative edge has not been as strong, perhaps no longer freed by the booze.

I listened to SUN apprehensively. The first song "Cherokee" was disappointing. Trite rhymes, "Cherokee, kiss me" are not only heard in this track, but also on other tracks such as "3,6,9." The eagle call on "Cherokee" is just, well, trendy.

The rest of the album is quite good. "Manhattan" is a great tune. "Nothin' But Time" is a long, beautiful song, written for her ex-partner's daughter. It also features the deep voice of Iggy Pop - deep voices make for complimentary backgrounds with Chan's dreamsicle voice, as heard on You Are Free in 2003 with Eddie Vedder. "Human Being" is another good track, with a nice message.

While not my favorite Cat Power album, SUN is still a good one, that I enjoyed washing dishes to and in the office. I am glad Chan Marshall is finally back in my good graces, although hopefully she can redeem herself more on her next album.

Wednesday, September 19, 2012

Band of Horses, Mirage Rock, Sept 18th 2012

Mirage Rock's first song kicks in with a rockin' beat, as not yet heard by Band of Horses. While their last album Infinite Arms (2010) was their most upbeat at the time of its release, Mirage Rock has it, well, beat. However, Mirage Rock has a more natural feel to it, and comes off as the better, and happier album. It would seem that indie rock is catching up with the happy times of its counter part - indie pop.

While the influence may have been there on previous albums, it is on Mirage Rock that I notice lead singer Benjamin Bridwell channeling Neil Young the way Christian Slater channeled Nicholas Cage; on some songs I caught myself wondering if I was indeed actually was listening to Neil Young, circa Harvest Moon. This is a good thing, in my opinion. Song "Dumpster World" particularly conjurs up images of Harvest Moon crooner, until it breaks out into a Band of Horses-esque rock out chorus.

Other notable songs:
"Electric Music" has a great American rock feel, both with twang and lyrical imagery about the open road. 
"Heartbreak on the 101" has an altogether different musical feel, distinctly different from all other Band of Horses tracks, yet still fits in with the tone and theme of the album.
"Ego Nightmare" sounds like a quintessential upbeat Band of Horses song, with a slight Beach Boys influence.

Overall, a good album I think I'll be listening to more. Definitely worth checking it out.

Grizzly Bear, Shields, Sept. 18th 2012

This is a very mature album, playing off their previous signature sounds and remaining edgy while losing the hipster whine.

I'd listened to their 2006 album Yellow House and put a song or two from there onto playlists. But the album as a whole didn't capture my interest the way Shields has.

Shields is an excellent album overall, with no song particularly standing out, it's the kind of album where you actually listen to the whole thing as one piece of art work. The music seems more technically and artistically interesting than their previous work.

There are aspects of this album that remind me of Band of Horses. These bands are chummy, having played shows together and Band of Horses did cover a Grizzly Bear song Plans. Or maybe I just like this album more because as another review said, they got "rockier."

A very evolved album for Grizzly Bear - highly recommended.